SUNDAY: What’s on in London today [06/02/22]

SUNDAY 06 FEBRUARY 2022 (A–Z) // What’s on in London today across DIY, indie & alternative cinema including one-off screen events, film seasons, film festivals & our selection of new releases.

By RADIANT CIRCUS // Twitter @radiantcircus / Instagram @radiantcircus

THE HUNTER’S DIARY 35mm d. Ko Nakahira, 1964 (06 FEB 18:10) / Part of WHAT LIES BENEATH: THE INTRICATE REPRESENTATIONS OF A ‘DARK MIND’ IN JAPANESE CINEMA at ICA:

“Misogynist and philanderer Ichiro Honda (Noboru Nakaya) has an insatiable sexual appetite which is not being satisfied by his distant wife whom he only really sees on weekends. While he is away from Osaka for work, his time is spent living a double life in Tokyo, filling his nights with consecutive sexual conquests, the details of which he meticulously records in his ‘hunter’s diary’. One day, he reads about the murder of a woman in the paper; she is one of his previous ‘preys’. A few days later, another such woman dies in mysterious circumstances. Suddenly, a string of women he has bedded start dropping like flies in a calculated killing spree, with Ichiro as the only suspect.

Adapting a novel written by Masako Togawa, who portrays the role of the deceived wife, silver screen master Ko Nakahira (Plants from the Dune) directs this stylish suspense drama which we are happy to present in glorious 35mm format.” (Japan Foundation)

4K PRESENTATIONS at The Prince Charles

35MM PRESENTATIONS at The Prince Charles

ANIME at The Prince Charles

BIG SCREEN CLASSICS: LGBT HISTORY MONTH at BFI Southbank

  • Includes (check venue for full listings): MAURICE d. James Ivory, 1987 (06 FEB 15:20).

ESSENTIAL CINEMA at Close-Up

  • Includes (check venue for full listings): LEVIATHAN d. Andrey Zvyagintsev, 2014 (06 FEB 17:30); TOKYO STORY d. Yasujirō Ozu, 1953 (06 FEB 20:15).

FRANÇOIS TRUFFAUT: FOR THE LOVE OF FILMS at BFI Southbank

FRANÇOIS TRUFFAUT REVISITED at Ciné Lumière

HOMELAND: FILMS BY AUSTRALIAN FIRST NATIONS DIRECTORS at Barbican

  • Includes (check venue for full listings): RADIANCE d. Rachel Perkins, 1998 (06 FEB 17:30). 

MOVIE MARATHONS at The Prince Charles

SEEN & HEARD at BFI Southbank

  • Includes (check venue for full listings): IT FELT LIKE LOVE d. Eliza Hittman, 2013 (06 FEB 18:00).

STUDIO GHIBLI at Picturehouse Cinemas

WHAT LIES BENEATH: THE INTRICATE REPRESENTATIONS OF A ‘DARK MIND’ IN JAPANESE CINEMA at ICA 

BELLE aka Ryû to sobakasu no hime d. Mamoru Hosoda, 2021.

THE EYES OF TAMMY FAYE d. Michael Showalter, 2021.

  • Also 04 to 10 FEB (various dates/times): JULES ET JIM aka Jules and Jim d. François Truffaut, 1962 at: BFI / ICA / Picturehouse Cinemas // KISS ME KOSHER d. Shirel Peleg, 2020 at: JW3 (from 10 FEB) // LINGUI, THE SACRED BONDS d. Mahamat-Saleh Haroun, 2021 at: Barbican / Curzon Cinemas / ICA // NIGHTMARE ALLEY: VISIONS OF DARKNESS AND LIGHT d. Guillermo del Toro, 2021 at: Picturehouse Cinemas // THE ROSSELINIS d. Alessandro Rossellini, 2020 at: Bertha DocHouse.

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*THE SMALL PRINT: Opinions author’s own. // As accurate as we could make it. Apologies for any errors. Updates & corrections will be made to the online version only. // Event dates/times/formats are subject to change by the venue/organiser. Events may already be sold out at the time of posting, so please click quickly. // We try to list as many original format screenings as we can (8 to 70MM), but sometimes formats change due to age of the print, availability, logistics etc, so please check ahead with your venue if the format is your thing. // All images are used in the spirit of fair use for reporting & review – no ownership is implied or intended / unless otherwise credited to RADIANT CIRCUS as the original rights holder. We will remove any images immediately upon request – just get in touch. // We don’t filter our listings by age/certification: all readers & subscribers should therefore be 18+. // Finally, we always try to follow The Carny Code by “not screwing up anyone else’s game”, but everyone can make mistakes… If something does go wrong, we will always do our best to put it right. //.