Where we connect & collaborate with London’s indie exhibitors.
> #32BOROUGHSOFFILM is our yearlong project to blog our way around London’s indie film clubs & community cinema screens.
> FRINGE! QUEER FILM & ARTS FEST is an entirely volunteer-run organisation rooted in London’s queer creative scene. In Novembers, and throughout the year, Fringe! celebrates LGBTIQA+ stories from around the world [WORK IN PROGRESS].
> LUNCHTIME FIM SOCIETY is our new popup cinema collab liberating busy workers from lunch at their desks. Our first location is coming soon to The City Of London, EC4Y [22 OCT to 01 NOV].
> MIDNIGHT EXCESS is a film programme from Ranjit S. Ruprai aka SUPAKINO that brings back the thrill of late night movies and subversive double features to London’s alternative cinema scene [RETURNING SOON].
> RAINDANCE 2019 We’re taking the deep dive into this year’s festival & this is where we’ll be blogging about it [18 to 29 SEP].
> ODDITORIUM where guest contributors invite you to marvel at their marvellous exhibits.
> Never miss a frame with a RADIANT CIRCUS monthly subscription.
We started LUNCHTIME FILM SOCIETY to celebrate some of the smaller, indie film exhibitors we’re connecting with as we tour London’s alternative cinema scene. It’s these people & places that are projecting some of London’s most authentic film flavours. It’s time to meet our launch partners!
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Our final film writeup from Screamdance at Raindance 2019 reports from the UK premiere of Steve Krikris’ THE WAITER (2018), a moody character study in the mid-century microcosm of a mythical Athens. Krikris won Best Director Award at this year’s festival. Here’s what he said in the Q&A.
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Our penultimate film report from the Screamdance strand at Raindance 2019 looks at Jelle Stroo’s LA DEUXIÈME (2019), a lean Belgian/French chiller about the birth of a prophet. Here’s our RADIANT CIRCUS writeup.
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MIDNIGHT EXCESS by SUPAKINO brings back the thrill of weird & wonderful late-night movies to Rio Cinema. Having debuted with double-bills earlier this year, MIDNIGHT EXCESS returns with a new series of conjoined single-o exhibits. Here’s everything you need to know!
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LUNCHTIME FILM SOCIETY at the Bridewell Theatre EC4Y (22 OCT to 01 NOV 2019) invites busy City workers to “Liberate Your Lunch Hour!” with daily programmes of bitesize cinema. Here’s our new trailer!
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Our latest Screamdance report from Raindance 2019 at Vue Piccadilly looks at debut feature director Jarett Bellucci’s SANDPAPER, a home improvement thriller based on a remarkable true story. Here’s our writeup.
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Our next film report from the Screamdance strand at Raindance 2019 is Borys Lankosz’s seriously twisted fairy tale DARK, ALMOST NIGHT. Based on Joanna Bator’s novel, this full-fat literary adaptation also screened In Competition. Here’s our writeup.
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We continue our report from Screamdance, the new horror strand at Raindance 2019, with the World Premiere of Marcos Prado’s Brazilian thriller, MACABRE. This screening got us all wired up as part of an experiment in audience fear analysis. Here’s what happened.
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We’d hoped to follow the full QUEER strand at this year’s Raindance but schedules got in the way, so we were delighted to just see Eibe Maleen Krebs’s beautiful 2018 chamber piece, WORLD BEYOND MY MIND. Here’s our writeup.
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Our first Raindance day featured two familiar tropes of the modern horror genre – the zombie outbreak movie and the found footage scare show. Two South American offerings wrestled gamely with conventions. How did they get along? Part 1 – FERAL.
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